Scaleforum inspiration

All has been quiet from me recently, as a house move at the end of August meant that modelling equipment had to be boxed up, and time found for more important things (like rebuilding drains, and fixing lights).  There was also the run-up to Scaleforum, which meant  Society matters took my attention as well.

However, with a very successful weekend at Leatherhead behind us (I'm sure that there are many that will tell the story better than I can) I have both more time and much inspiration as well.  Inspired by Horsley Bank, I feel a minimum space "box" layout coming on :-)

Finally, it was great to spend time talking to folk over the weekend that I only normally "know" over the web.  Too many to name individually, thank you all for taking the time to say hello, and I'm sorry that I may have been interrupted to answer questions about catering and suchlike.  If you have a namebadge on, at times you're a target ;-)

See you all next time!

J15 build - Mystery Parts

In the background, behind my exploits with the High Level Pug, I've been building an Alan Gibson kit of a J15, or more accurately a Great Eastern Y14, as it will be in condition suitable for circa 1908.

I'm now at the detailing stage of the body, and I've found on the fret these mystery parts - four times part #42 :

They look like washout covers for the boiler.  However there is no mention of a part #42 anywhere in the instructions, nor do they show on the exploded diagram, which is intended to cover the parts not mentioned in the text.

Fortunately, it seems like they were a not an original GER feature, so I can safely ignore them.  I can't see them evident on any of the period photos that I have from the GERS Journal.  But does anyone know if my assumptions are correct?

Flymo

Weighty matters

It's been a few weeks since I last made a post.  I'm afraid that's because I've been busy with other things - both Scalefour Society matters, advertising the Scaleforum exhibition in September, and more importantly preparing for our house move that will take place in two weeks time.  That means that I get a dedicated study cum railway room  :-)

The Pug has made some progress since I replaced the axle after the unfortunate Loctite Incident.  It has been put on a rolling road, and shows a slight limp that I need to eliminate.  To help the running and road-holding, I also needed to add some additional weight to the kit chassis.  The normal model has a large cast weight in the tank, and this is replaced in the High Level model with the motor and gears, to give the benefit of clearing the cab and allowing full backhead detail to be seen.

I used lead sheet to pack up the free corners, cut to size with a scalpel and snips, and held in place with either superglue or epoxy resin.  This photo shows how it was done.

The locations are:

1 - under the cab, next to the reversing rod

2 - under the cab, behind the rear valance

3 - in the front chassis "box" between the cylinders.  This has a section cut out to allow a screwdriver to the chassis mounting screw

4 - inside the coal bunkers on either side of the cab.  There was a need to be careful here not to intrude into the area of the floor fixings

5 - two curved strips placed under the roof, and glued out of sight.

Together, they've brought the weight up to 76 grams.  Probably not as heavy as the original model was, but a definite improvement.  Let's see how it runs when it's back together.

Frustration!

I was hoping to get a good few hours of modelling in today...

Anne is away racing sidecars in South Wales, and apart from a couple of hours over lunch to visit some bee-keeping friends, I was expecting a day of peace and quiet to finally knock a couple of things off.  However I didn't anticipate the modelling bug striking my ten year old stepson so hard today.  A friend of ours gave him an old Tamiya kit for a Ducati 916 (the same bike that I have).  

So I've spent most of the morning and afternoon holding parts, cutting out components, and generally being a gopher!  Pretty much all of it he can do himself, but he does like the company :-)

Anyway, I'm not really complaining.  He's shown a skill and patience level far beyond what I was expecting.  This is the result so far:

It's about five inches long, and has exactly the same components as the real thing, so he's had me going "that's a crankcase breather, that's a steering damper" and so on...

For me, I was frustrated because:

(1) I forgot that I'd switched my mini-drill into reverse to do some burnishing, so the small drills I was using to make holes for handrail knobs on my J15 were going nowhere, and particularly after I snapped the drills...

(2) Whilst spraying track for my demo board, the paint well fell off the side of my airbrush, so that was a clearing up job...

(3) I took the Pug back out of its box where I put it for the loctite on the gearwheel to set, and found that I hadn't re-done as much to it as I thought.

Oh well, in reality, it's been a lovely day!  Hope that yours was as well...

East Suffolk Light

Over the weekend we visited Snape Maltings, in search of antiques shops.  Whilst driving around the area, and seeing the maltings itself, it reminded me so much of Iain Rice's East Suffolk Light Railway.

Many people talk about the influence of Pendon or Heckmondwike on their modelling, but for me the key influence was the ESLR.  That combination of artistic observation, eclectic rolling stock, and a history that bound it all together was superb in setting a time and a place.  It wasn't just a model railway, but a model *of* a railway, even if that was an entire fiction :-)

It would be great to know "where is it now?" and whether it was ever going to appear on the exhibition circuit again, but it simply seems to have sunk without trace.  Ah well, I think that I'll be digging out my old magazines for a dose of nostalgia tonight...

Inspiration

I had last week as holiday from work, and other than getting a lot more modelling done, we had the opportunity to just chill out and do things.  On Friday Anne and I went into London to spend the day going around galleries.

To Tate Britain first, and then on to the National Gallery.  I was, as usual, completely entranced with the Turners, and not just because "Rain, Steam and Speed" includes a Green With Rivets train.

It's because Turner is such an inspiration on how an impression of substance, colour and movement can be created with just a few strokes of a brush.  When it comes to scenic works on a model railway, I definitely want to try and be inspired to create the depth and emotion in the scenery that he does on canvas.  Hmmm.... I wonder if I should try art classes before painting my backscene.

Flymo

Scrap

Well, I couldn't get enough heat from a soldering iron into the gear wheel from my soldering iron.  It's only a 50W iron, and even cranked up to full, the heatsink of the brass gear was too great to stop it getting any hotter than uncomfortably warm.

So it was out with the Dremel, and the careful use of the slitting disc...  I had to make a series of cuts to first of all get the gearbox out, then to extract the gear wheel itself.  There wasn't enough room to cut it immediately in the middle and slide the axles out.

This picture shows the four parts that the axle wound up in!

From here, it was easy to use a gear puller to get the gear off the axle.  It was then cleaned up, and re-mounted on an axle stolen from my other Pug kit.  I must get some spares from Alan Gibson when I next see him at a show...

Flymo